Lily Pearman’Talking pattern’

I tried to use different sources of media including ,paints, watercolours, buero pen and more.Some of my images I created irregular tile design that may be messy but show how I would want to design and repeat my patterns. Many of theses images could follow onto ‘Disruptive Nature’ the way the flow anyhow they intertwine with each other , patterns don’t always have to be identical or selfsame, everything including have patterns have there irregularities following from this looking at irregularities and identifying them in different lights,Which could include my images of the barnacles they don’t always have to been the same shape to be patterns and to be able to add texture and define what could make a could textiles, piece that why I put down some of the images that I might not want in this project but I still identify as ‘talking Patterns’
Image above ;Fern leaves




Many of these images I looked at both culture and nature.
How both of these themes creates patterns and intertwine with each other through the sources of patterns I chose to explore.





Like
0
Liked
Liked
8th November 2022 @ 3:35 pm
Lily Pearman:
Lilys work shows a great use of colour pairings, more so in ‘talking colour’. For example, she uses a neon green and a fuchsia pink together in drawing nine, which stands out because of the bright colours against mostly pastel coloured paintings. The colours complement each other very well and show what possible colour palette might be used in future textile pieces.
The fifth painting on ‘talking colour’ shows a blurred effect that was possibly done with a sponge however, the symmetrical effect within the painting could also suggest one side printed onto another to create a mirrored effect. This piece really stands out to me as it shows an interesting use if techniques.
Something that could possibly be pushed next time would be choosing one object and spending time just drawing the details and intricate design of it as I think it would contrast well with the use of repeating patterns within Lilys work.
‘Seeing pattern’ shows great penmanship and lots of use of watercolour (a strength for lily is definitely within her use of watercolours) and fine line pen particularly seen in the first article. You can see a layer of watercolour, then coloured pencil, then pen which can be developed into a range of textiles such as satin stitch on the Juki machine and chain stitch using hand embroidery to produce a delicate and intricate design. You could even use dye to create a watercolour effect on the chosen fabric.
A comment for developing the pieces would be to play around with a variety of papers such as newsprint, ripped up cartridge paper, coloured paper and tissue paper- to get more depth within the paintings.