Lily Pearman

About Lily Pearman

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Lily Pearman-‘Talking colour’

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Image 1 Water colour and white pen
Image 2 Acrylic Neon pink
Image 3 Water colour
Image 4 – Acrylic and buero pen
Image 5 – Water colour
Image 6- Pencil Drawing
Image 6- colour pencil
Image 7 – water colour
Image 8- acrylic paint
Image 9 – acrylic paint
  • When I looked at talking colour I focused on the pinks, greens and even bright colours that shape and add more vibrance to what surrounds us I included fuscia, emerald, neon green and more.
  • When first thinking about colours and how they change the way we view the world all around us, it differentiates our emotions and thoughts, as on miserable wintery day, where the colours feel faded because it’s cold and misty the colours feel almost impacted by how you feel that day, as everyone views everything differently through there eyes. The splashes of colour create more of a interesting pop and makes us focus on the drawings more.
  • Even though some of my images are not focused you can tell when talking about colour I always think about what colours brighten up my day or even create this abnormality that people would not always wear intense colours on there way to work but as a student at art school, these wonderful and dynamic colours bring more of source of inspiration of what I would love to wear but maybe to afraid to.
  • In these drawings I used both watercolours, acrylic paints,mirroring and even used my brush to use the page to make prints of the colours I focus on.
  • I went into depth with a image I sourced from a flower market which was a celosia flower and almost shows a artificial yet and the real colours of the flower seen in one of my images, linking to talking colours and what we would find in a park or a market in London creating energetic and vivid palette as a source of information.
  • The attention of these very modern and neon colours ,that were really brought in the 60s and that none really wore until this the 21st century , these colours are out-there and original ,the came about when the internet was formed and made, I think many people started feel more comfortable wearing these bright greens, pinks and more.
  • Furthermore I will try to follow this similar approach to my other themes and why when looking at a colour palette it does not always have to be two colours.
  • Overall when looking at this project Introduction to fashion embroidery it has expanded my knowledge of colour and how it can be expressed throughout my work.
Image 10 – acrylic paint/watercolour
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Lily Pearman’Talking pattern’

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In many ways we are surrounded by pattern even through the weaves of our clothes and how they express our own way of living in when in the interiors off our our house or a source inspiration for a piece of work, ,many of my images are sourced from photos I have taken off gardens, markets, even found in my cupboard or on my bed, I used a similar approach using the same colour source to create my own patterns.
I tried to use different sources of media including ,paints, watercolours, buero pen and more.Some of my images I created irregular tile design that may be messy but show how I would want to design and repeat my patterns. Many of theses images could follow onto ‘Disruptive Nature’ the way the flow anyhow they intertwine with each other , patterns don’t always have to be identical or selfsame, everything including have patterns have there irregularities following from this looking at irregularities and identifying them in different lights,Which could include my images of the barnacles they don’t always have to been the same shape to be patterns and to be able to add texture and define what could make a could textiles, piece that why I put down some of the images that I might not want in this project but I still identify as ‘talking Patterns’
Image above ;Fern leaves
Barnacles
Green and pinks fern leaves
swigs
Close up of Barnacles
These are patterns I gathered from both nature and somethings I would find in room including my interpretations of a plant pot from my room in my flat which looks like barnacles you would find on rocks.
Many of these images I looked at both culture and nature.
How both of these themes creates patterns and intertwine with each other through the sources of patterns I chose to explore.
From celosia flowers but I tried to create more of a receptive and smudged interpretation of my own work from talking colour when looking at talking colour.
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  1. Abby Faulkner: Lily Pearman: Lilys work shows a great use of colour pairings, more so in ‘talking colour’. For example, she uses…